Local 1000 AFM

The Traveling Musicians Union

LGBTQIA+

Windborne

by

“A quartet the likes of which I haven’t seen since… Coope, Boyes and Simpson, the Watersons, or The Voice Squad. Just absolutely phenomenal!” -BBC Traveling Folk

Windborne combines bold and innovative harmonies, styles from a variety of cultures with traditions of harmony singing, and a vocal blend that comes from longtime friendship and years of singing together. They also carry on the alliance of folk music and social activism, breathing new life into songs of change from the past that still ring true in modern times.

“The best musical discovery of the year…Stunningly powerful vocal harmony… Windborne sets a new bar for folk harmony singing today”  -Brian O’Donovan, WGBH-NPR

 

Hear Windborne in action:

Song of the Lower Classes – a protest song from the Chartists in England in the 1840s, a grassroots movement for voting rights

Stabat Mater (Corsica) live in Mont-Saint-Michel – a traditional setting of the Stabat Mater text from southern Corsica. A clip of this video went viral on TikTok in 2021, getting over 2 million views!

The Song of Hard Times  – Windborne’s arrangement and expansion of a song from the 1930s, found in the archives at the Library of Congress

WindborneSingers.com

Facebook.com/WindborneSingers

Instagram / TikTok: @WindborneSingers

YouTube.com/WindborneSingers

 

MORE ABOUT WINDBORNE:

Internationally acclaimed vocal ensemble Windborne is a group of vocal chameleons who specialize in close harmony singing, shifting effortlessly between drastically different styles of traditional music within the same concert. Their musical knowledge spans many cultures, but they remain deeply rooted in American folk singing traditions – a typical concert program includes music ranging from American labor anthems and English ballads to ancient Corsican polyphony and traditional Quebecois tunes.

 

Hailed as “the most exciting vocal group in a generation,” Lynn Mahoney Rowan, Will Thomas Rowan, Lauren Breunig, and Jeremy Carter-Gordon share a vibrant energy onstage – their connection to each other and to the music clearly evident. They educate as they entertain, telling stories about the music and explaining the characteristics and stylistic elements of the traditions in which they sing. 

 

But there’s another, crucial dimension to Windborne. They are adherents to folk music’s longtime association with social activism, in particular its ties to the labor and civil rights movements and others that champion the poor, the working class, and the disenfranchised. Breathing new life into old songs, they seek out music from movements over the past 400 years and sing them for the struggles of today’s world. They believe deeply in the power of music to change hearts.

In addition to performing in New England and around the world, Windborne has taught workshops in schools, community centers, singing camps, and universities. Seasoned teachers and song-leaders, they delight groups young and old with enthusiastic, clear, and nuanced instruction for musicians of all levels of experience. Singers not only learn the notes of a song, but also work on the varied vocal styles, language pronunciation, and gain an understanding of the song in its original cultural context.

In 2014, Windborne was one of 10 groups selected by American Music Abroad and the US Department of State to tour as cultural ambassadors through music. They traveled to Turkmenistan, Kyrgyzstan, and Angola, touring with internationally known artists, performing at sold-out national theaters, and collaborating with traditional musicians in each country. They also taught music and dance workshops to schoolchildren, English-language learners, dance schools, choirs, and music conservatories.

 

Ash Devine

by

The award-winning and versatile Appalachian-indie-folk-country-fusion singer-songwriter, performance artist, and multi-generational arts program designer Ash Devine is based the Blue Ridge Mountains of Blacksburg, VA and Asheville, North Carolina. Devine, who is considered by some as one of the last ‘folk troubadours’ is also known for her unique finger-style ukulele and guitar sound, and for her participation in humanitarian efforts through music, education, and the arts.

In addition to producing several albums of original music, Ash has performed and studied along side Nobel peace prize nominee Patch Adams M.D., Heritage award winning ballad singer Sheila Kay Adams, Grammy award nominee and folklorist David Holt, and a number of other renowned folklorists and internationally acclaimed musicians. Her versatile Appalachian folk revival-fusion sound is bursting with stylistic variety, relatable story, and historical facts. Her music is influenced in style by Traditional Appalachian, Joan Baez, Joni Mitchell, Jean Richie, Pete Seeger, Woody Guthrie, Maybelle Carter, Leslie Riddle, Ani Difranco, Kate Wolfe, Bob Dylan, and reggae/world music influences such as the Wailers, Jimmy Cliff, and west African traditional music.

In 2015 Ash Devine starred as the legendary Maybelle Carter and musically directed the play Esley: The Life and Music of Leslie Riddle. From 2016-2019 Ash Devine studied Appalachian traditional folk songs from the Western, NC area with Smithsonian Folkways Award winning ballad singer Sheila Kay Adams. In 2018, Devine was invited to perform with a group of WNC Appalachian song carriers at the Library of Congress at the American Folk Life Center in Washington, DC. Ash is award winning, in 2013 her original music was selected for 1st place at the Twin Rivers Media Festival in Asheville, NC, in 2008 she won 1st place for Brown Bag Songwriter’s Competition in Asheville, NC, and in 2001 Devine was awarded best composition for an original song at Roanoke, VA’s downtown Music Lab.

Devine performs all original concerts, blended traditional/contemporary/original variety style concerts, a one woman show about the legendary Carter Family and the influences and origins of the music they played, and Devine performs personalized therapeutic and formal concerts for the care setting.

Erin McKeown

by

Erin McKeown is a musician, writer, and producer known internationally for her prolific disregard of stylistic boundaries. Her brash and clever electric guitar playing is something to see. Her singing voice is truly unique —clear, cool, and collected. Over the last 20 years, she has performed around the world, released 11 full length albums, and written for film, television, and theater, all the while refining her distinctive and challenging mix of American musical forms.

Her first musical, Miss You Like Hell, written with Pulitzer Prize-winning playwright Quiara Alegría Hudes, opened Off-Broadway at The Public Theater in 2018. It was nominated for 5 Drama Desk Awards, including Best Lyrics, Best Music and Best Orchestrations, and The Wall Street Journal named it Best Musical of 2018.

Leading her own band, she has performed at Bonnaroo, Glastonbury, and the Newport Folk Festivals. A familiar presence on NPR and the BBC, McKeown’s songs have also appeared in numerous commercials and television shows.

While a student at Brown University, Erin was a resident artist at Providence, RI’s revolutionary community arts organization AS220. A 2011-2012 fellow at Harvard’s Berkman Klein Center For Internet & Society, she is also the recipient of a 2016 writing fellowship from The Studios of Key West and a 2018 residency at the Virginia Center for the Creative Arts. McKeown is currently a 2020-21 Professor of the Practice at Brown University.

Her latest album KISS OFF KISS is out now.

Robb Johannes

by

Robb Johannes (he/him/his) is currently currently channeling his 4-octave countertenor voice, composition, songwriting, multi-instrumental (guitar, bass, keyboards, lap steel, percussion), and multi-media (filmmaking, visual art, graphic design) skills into the newly-formed ensemble, a question of when (www.aquestionofwhen.com). Tagged as an “anonymous multi-media artistic collaboration between members of previously-established acts,” a question of when is in the process of producing its debut LP and accompanying visual immersions with funding support from the Ontario Arts Council.

Prior to a question of when, Robb fronted the Toronto/Vancouver rock band Paint (www.paintband.com) for over ten years. Over the course of four albums, two feature films, and over 300 performances from Pacific to Atlantic, Paint came to be referred to as “Picture perfect” (102.1 The Edge), “Best live act in the city” (Musica Mas), “One of the top acts of the year” (The Toronto Star), and “Intelligent people making incredible music” (The Examiner), bedazzling audiences with their multisensory stage show while delivering insightful social commentary through their music, art, and relationship with its dedicated fanbase; “rockstars with a sincere change-the-world-with-heart attitude… the next U2?” (Midnight Matinee).

While primarily focused on original compositions and contributing to the advancement of the art form for the past two decades, Robb has also used his voice for creative and ambitious tributes to Jeff Buckley, Chris Cornell, Radiohead, The Beatles, The Doors, The Tragically Hip, and The Who. He has also delivered keynote addresses about his work in the social justice sector, including published works about his experiences with mental health in the arts.

Mariel Buckley

by

I am a singer-songwriter who has been actively touring Western Canada for 5 years. Prior to my most recent release, I attended several conference and showcase opportunities (Folk Alliance International 2016, 2017, 2019; AmericanaFest 2015, 2018; BreakOut West 2017, 2018) to promote and engage local and international industry for the release. After releasing my sophomore album, “Driving In The Dark”, international interest and touring opportunities continue to present themselves. I play 1-2 local shows in my home city of Calgary per year, if any and focus the entirety of my live show strategy around touring new markets, specifically targeting the UK and USA Americana scenes as this is where my music has been charting based off of radio play demographics. With recent bookings at the Philadelphia Folk Fest, several tour dates with Sarah Shook and other US plays, we are hunting for a US agent to continue touring and making an impact across borders.

Faith Nolan

by

Faith Nolan singer/songwriter, plays guitar, harp, banjo, ukelele- songs focus on social justice , kids music, LGBTQI- Enviornment-anti racism, anti-capitalism-ani-sexism, anti-homophobia- pro peace , love and joy Heritage – Black-Mi’kmaq-Irish , born in Nova Scotia -have recorded 16 CD’s, original many world languages used in lyrics and lots of blues folk jazz, reggae

FAITH NOLAN

Deidre McCalla

by

Deidre McCalla doesn’t merely take the stage – she owns it.
Deidre – a Black woman, mother, lesbian, feminist – has long been in the forefront of Black musicians rewiring perception of how Black folk do folk. Deidre McCalla’s 2022 release, ENDLESS GRACE, her fifth independent album, is the bold statement of an artist confidently claiming her place in the world and relentlessly affirming the power and diversity of the human spirit.

Heather Dale

by

Heather Dale’s original Celtic music explores world legends and history. She finds contemporary themes within old material, and fuses folk traditions with blues, jazz, and world music influences. Often compared to Loreena McKennitt and Sarah McLachlan, Dale’s rich vocals are paired with more than a dozen folk instruments in live performances with multi-instrumentalist Ben Deschamps. In her 25+ year career, she’s released 18 studio albums, 5 live albums, 3 songbooks and a full-length musical theatre work based on the King Arthur legend titled “Queens of Avalon.” She and Ben have played 1500+ shows across 3 continents, and together they run the musician-friendly OnlineConcertThing.com music platform. Heather & Ben have been proud Local 1000 members since 2011. 

Eve Goldberg

by

Imagine a kitchen party where Mother Maybelle Carter, Ella Fitzgerald, Mississippi John Hurt, Bessie Smith, Bob Dylan, The Beatles, and Patsy Cline show up, and you begin to get a sense of what it feels like inside songwriter Eve Goldberg’s head. Eve has performed her trademark mixture of folk, blues, country, bluegrass, old time, and jazz in venues ranging from small house concerts to the prestigious Kennedy Center in Washington DC since 1990. 

Eve’s performances are uplifting, intimate and relaxed, and her watercolour voice and solid instrumental style (guitar, ukulele) has become a favourite at festivals, folk clubs, and concert series across Canada and the US. Along the way she’s earned the respect of legendary musicians like Peggy Seeger, Geoff Muldaur, and Penny Lang. She has released three solo albums to widespread acclaim — “Ever Brightening Day,” (1998) “Crossing the Water,” (2003) and “A Kinder Season” (2006). Her instrumental tune “Watermelon Sorbet” was used for years as the opening theme to “Richardson’s Roundup” on CBC Radio One. 

In addition to being a fine performer, Eve is an experienced teacher who excels at passing on her skills and knowledge to others through private lessons, workshops, and classes. She has taught at colleges, music camps, schools, and festivals, and specializes in teaching adults in community settings.

Eve is also one half of the folk/roots duo Gathering Sparks with musical partner Jane Lewis. In a short time, Gathering Sparks has gained a reputation for sparkling harmonies, solid instrumentation (piano, guitar, ukulele, accordion, and banjo), and stellar songwriting. Gathering Sparks was nominated for a 2014 Canadian Folk Music Award for Vocal Group of the year based on their self-titled debut EP and their first full-length album, “All That’s Real,” was released in fall 2019 by Borealis Records.

Beyond performing and teaching, Eve has been involved in numerous community efforts over the years. She was one of the organizers of The Woods Music and Dance Camp for over twenty years, was a founder of Common Thread: Community Chorus of Toronto, helped start ArtsCan Circle, served on the board of the Ontario Council of Folk Festival (now Folk Music Ontario), and was the first office manager at Borealis Records. 

In 2021 Eve was recognized with the Estelle Klein Award for her outstanding contributions to the folk music community in Ontario.

Tret Fure

by

Tret Fure began her career at the age of 16, singing in coffeehouses and campuses in the Midwest. At 19, she moved to LA in hopes of obtaining a record deal. Within a year she was performing as guitarist and vocalist for Spencer Davis, touring with him and penning the single for his album “Mousetrap”. She went on to record her own album “Tret Fure” in 1973, on MCA/UNI Records, with the late Lowell George of Little Feat as her producer. With the success of that release, she opened for such bands as Yes, Poco, and the J Geils Band.

 

A prolific artist in the contemporary singer-songwriter arena, Tret Fure has released 17 albums and CDs over the course of her 51 year career. In addition to being a gifted songwriter, Fure has engineered and produced countless recordings by a variety of artists, including her own work.

 

In the early 80s, Tret moved to the independent side of the industry discovering the blossoming genre known as Women’s Music. She recorded with and produced some of the best of women’s music including mixing the legendary “Meg & Cris at Carnegie Hall” (1983). She worked as a duo with Cris Williamson throughout the 90s, producing, engineering and releasing 3 CDs together. Now after 9 acoustic releases on her own label, “Tomboy girl Records”, she has re-established herself in the folk world

 

Some highlights from her career include:

 

1990 – Voted both Best Guitarist and Best Engineer in a Reader’s Choice poll in “Hot Wire: The Journal of Women’sMusic & Culture”.

 

2004 – Winner of the South Florida Folk Festival Singer/Songwriter Competition in 2 out of 3 categories, Best Overall and Best Up-Tempo Song.

 

2004 – Winner of the Women in the Arts “Jane Schliessman Award” for Outstanding Contributions to Women’s Music.

 

2009 -Voted “Pride In The Arts” Favorite Female/Lesbian Musician.

 

2009 – Winner of the Women in the Arts “Janine C Rae Award” for the Advancement of Women’s Culture.

 

2011 – Winner of the Women in the Arts “Phyllis Roark Memorial Award” for Philanthropy.

 

2015 – “Rembrandt Afternoons” (2015) was chosen by the acclaimed folk music show ‘Midnight Special’ as their album of the week.

 

2017 – 2nd place winner in the “Musicians United to Protect Bristol Bay” songwriting contest for her song “The Fishermen of Bristol Bay” (2015).

 

2018 – #1 song ”Lessons From Home Plate” from the CD “Roses in November” (2018) for the month of June in the FAI FOLK CHART. 

2020 – 1st place winner in “A Still Small Voice 4U” songwriting competition with her song “Monuments”.

 

2021 – 2nd place winner in “A Still Small Voice 4U” songwriting competition with the song “Louder Than the Guns”.

 

2021 – #1 song “Monuments” from the CD “Stone by Stone” (2020) for the month of February in the FAI FOLK CHART.

 

2021 – #1 song “Roses in November” from the CD “Roses in November” (2018) for the month of November in the FAI FOLK CHART.

 

2021 – #14 Album for the year with “Stone by Stone”.  #9 song for the year with “Monuments” and #25 artist of the year.

 

Wanda A. Fischer from WMAC Northeast Public Radio has this to say, “Roses in November is yet another masterpiece from Tret. Exceptionally crafted songs delivered with passion, conviction and, yes, soul. Tret weaves magic both in the lyrics and between the lines. This will certainly be on my “Best of 2018” list.”

 

In addition to touring and recording, Tret teaches guitar and songwriting individually and in workshop settings. She paints pet portraits on commission and, an accomplished cook, Fure has also published a cookbook, “Tret’s Kitchen”, featuring her own recipes. Along with bridging the marketing, production, music and art worlds, Tret served for 6 years as President of Local 1000, The Traveling Musicians Association–a union geared toward helping traveling musicians find security and longevity. 

Tret is truly a Renaissance Woman!