Local 1000 AFM

The Traveling Musicians Union

Central Canada

Alana Cline

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Alana is a Toronto-based fiddler specializing in combining Irish, Cape Breton and Scottish styles to create her own sound. She performs both solo and in a duo with her father, Leigh Cline.

Alana & Leigh Cline specialize in telling the history and stories behind tunes and musical styles, and many of their tunes are from the 1700s and 1800s. They also specialize in performances and workshops comparing different Celtic fiddle musical traditions. They include occasional Balkan tunes in their sets.

Having performed in Canada and the US, a small selection of performances include the Great American Irish Festival, Celtic Island Music Festival, Trenton Scottish Irish Festival, Irish Real Life Festival, Chris Langan Weekend, City of Toronto’s Canada Day Celebrations, The Royal Agricultural Winter Fair, Music Niagara, Toronto Public Library, Burlington Public Library, folk clubs, and at private corporate events for Tourism Ireland, Corus Entertainment, Enterprise Ireland, Maple Leaf Foods, and Discover Halifax. Alana & Leigh have a self-titled CD.

Alana first started playing at the age of 8 under the tutelage of Cape Breton fiddler Sandy MacIntyre. She studied privately with All-Ireland Fiddle Champion Maeve Donnelly over a period of two years, and also studied the North-East Scottish fiddle style with Paul Anderson, whose teaching lineage goes back directly to Niel Gow and the Golden Age of Scottish fiddle music. 

Alana has augmented her playing style with private lessons from Irish fiddlers Kevin Burke, Liz Carroll, Tony DeMarco and Patrick Ourceau. In 2008 Alana became the first Canadian to be accepted to the auditioned Meitheal School of Irish Traditional Music in Limerick, Ireland with Paul O’Shaughnessy of Altan as one of her instructors. She has also studied fiddle at the Gaelic College of Celtic Arts in St. Ann’s, Cape Breton, Nova Scotia.

Windborne

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“A quartet the likes of which I haven’t seen since… Coope, Boyes and Simpson, the Watersons, or The Voice Squad. Just absolutely phenomenal!” -BBC Traveling Folk

Windborne combines bold and innovative harmonies, styles from a variety of cultures with traditions of harmony singing, and a vocal blend that comes from longtime friendship and years of singing together. They also carry on the alliance of folk music and social activism, breathing new life into songs of change from the past that still ring true in modern times.

“The best musical discovery of the year…Stunningly powerful vocal harmony… Windborne sets a new bar for folk harmony singing today”  -Brian O’Donovan, WGBH-NPR

 

Hear Windborne in action:

Song of the Lower Classes – a protest song from the Chartists in England in the 1840s, a grassroots movement for voting rights

Stabat Mater (Corsica) live in Mont-Saint-Michel – a traditional setting of the Stabat Mater text from southern Corsica. A clip of this video went viral on TikTok in 2021, getting over 2 million views!

The Song of Hard Times  – Windborne’s arrangement and expansion of a song from the 1930s, found in the archives at the Library of Congress

WindborneSingers.com

Facebook.com/WindborneSingers

Instagram / TikTok: @WindborneSingers

YouTube.com/WindborneSingers

 

MORE ABOUT WINDBORNE:

Internationally acclaimed vocal ensemble Windborne is a group of vocal chameleons who specialize in close harmony singing, shifting effortlessly between drastically different styles of traditional music within the same concert. Their musical knowledge spans many cultures, but they remain deeply rooted in American folk singing traditions – a typical concert program includes music ranging from American labor anthems and English ballads to ancient Corsican polyphony and traditional Quebecois tunes.

 

Hailed as “the most exciting vocal group in a generation,” Lynn Mahoney Rowan, Will Thomas Rowan, Lauren Breunig, and Jeremy Carter-Gordon share a vibrant energy onstage – their connection to each other and to the music clearly evident. They educate as they entertain, telling stories about the music and explaining the characteristics and stylistic elements of the traditions in which they sing. 

 

But there’s another, crucial dimension to Windborne. They are adherents to folk music’s longtime association with social activism, in particular its ties to the labor and civil rights movements and others that champion the poor, the working class, and the disenfranchised. Breathing new life into old songs, they seek out music from movements over the past 400 years and sing them for the struggles of today’s world. They believe deeply in the power of music to change hearts.

In addition to performing in New England and around the world, Windborne has taught workshops in schools, community centers, singing camps, and universities. Seasoned teachers and song-leaders, they delight groups young and old with enthusiastic, clear, and nuanced instruction for musicians of all levels of experience. Singers not only learn the notes of a song, but also work on the varied vocal styles, language pronunciation, and gain an understanding of the song in its original cultural context.

In 2014, Windborne was one of 10 groups selected by American Music Abroad and the US Department of State to tour as cultural ambassadors through music. They traveled to Turkmenistan, Kyrgyzstan, and Angola, touring with internationally known artists, performing at sold-out national theaters, and collaborating with traditional musicians in each country. They also taught music and dance workshops to schoolchildren, English-language learners, dance schools, choirs, and music conservatories.

 

Erin McKeown

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Erin McKeown is a musician, writer, and producer known internationally for her prolific disregard of stylistic boundaries. Her brash and clever electric guitar playing is something to see. Her singing voice is truly unique —clear, cool, and collected. Over the last 20 years, she has performed around the world, released 11 full length albums, and written for film, television, and theater, all the while refining her distinctive and challenging mix of American musical forms.

Her first musical, Miss You Like Hell, written with Pulitzer Prize-winning playwright Quiara Alegría Hudes, opened Off-Broadway at The Public Theater in 2018. It was nominated for 5 Drama Desk Awards, including Best Lyrics, Best Music and Best Orchestrations, and The Wall Street Journal named it Best Musical of 2018.

Leading her own band, she has performed at Bonnaroo, Glastonbury, and the Newport Folk Festivals. A familiar presence on NPR and the BBC, McKeown’s songs have also appeared in numerous commercials and television shows.

While a student at Brown University, Erin was a resident artist at Providence, RI’s revolutionary community arts organization AS220. A 2011-2012 fellow at Harvard’s Berkman Klein Center For Internet & Society, she is also the recipient of a 2016 writing fellowship from The Studios of Key West and a 2018 residency at the Virginia Center for the Creative Arts. McKeown is currently a 2020-21 Professor of the Practice at Brown University.

Her latest album KISS OFF KISS is out now.

Richard May

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Drums, Bass, Guitar, Vocal, basic Piano-Keys (if zero on-the-fly sight reading is needed). Great for last minute work, best if reference recording available. Can be music director to assemble backing group for performance, film, tv, or recording. Can consult for tv, film, to ensure actors can credibly portray musicians. Willing to travel if travel cost covered from Seattle, WA.

John Coz

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John hails from the Bronx, New York. His father Juan Acosta was a percussionist from Cuba who worked as a touring musician with Latin jazz greats such as Tito Puente and Celia Cruz. In California, John began his recording career working as a composer, guitarist, producer and engineer for artists on Warner Brothers, DreamWorks, Geffen, BMG, Elektra and Capitol Records. John was a member of the group Forest for the Tree’s which reached #18 on the Billboard Modern Rock charts, has collaborated with Beck, and landed a top ten hit in the UK working with the artist 1000 Clowns. John’s work as a musician lead to his work with AFM Local 47, advocating for musicians rights. Currently John serves as President of AFM Local 47 and on the AFM International Executive Board.

Mariel Buckley

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I am a singer-songwriter who has been actively touring Western Canada for 5 years. Prior to my most recent release, I attended several conference and showcase opportunities (Folk Alliance International 2016, 2017, 2019; AmericanaFest 2015, 2018; BreakOut West 2017, 2018) to promote and engage local and international industry for the release. After releasing my sophomore album, “Driving In The Dark”, international interest and touring opportunities continue to present themselves. I play 1-2 local shows in my home city of Calgary per year, if any and focus the entirety of my live show strategy around touring new markets, specifically targeting the UK and USA Americana scenes as this is where my music has been charting based off of radio play demographics. With recent bookings at the Philadelphia Folk Fest, several tour dates with Sarah Shook and other US plays, we are hunting for a US agent to continue touring and making an impact across borders.

Matt Watroba

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Touring folk music performer specializing in community singing and song leading. I also do a variety of educational programs–as a solo and with the amazing Robert Jones

Liv Cazzola [Tragedy Ann | The Lifers]

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Liv Cazzola is a multi-instrumentalist, vocalist, songwriter, educator, and avid collaborator. Though based in Guelph Ontario, Liv is typically seen performing in Tragedy Ann or The Lifers, in North America and Europe. She sings to seek understanding, question the current, relish in the goodness, and create necessary change. 

Recently, Liv won the Folk Music Ontario Songs From the Heart Award for her Children’s Song Thomas’ Lullaby, was a CFMA award nominee for Emerging Artist of the Year (The Lifers), and has received an OAC Creation grant, OAC touring grant, and FACTOR Recording Grants for upcoming solo & band projects. 
 

Orit Shimoni

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A prolific and highly acclaimed singer-songwriter, Orit spent eleven years living on the road full-time, touring internationally.  She has released eleven albums which have received rave reviews and international radio play.  A multi-genre passionate singer, whose dedication to the craft and ability to connect to diverse audiences have won many hearts over.   Orit’s Jewish and Israeli background informs much of her work, in particular a passion for humanitarianism and peace advocacy.   You can also hear her harmonies on several recordings by other artists.

Leigh Cline

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I am a guitarist who works in Folk, Celtic & Greek/Turkish genres having been part of the 1960s -70s folk scene both as a player and as a presenter (Mariposa Folk Festival among others) as well as performing and recording in Greece & Turkey since the 1970s. I presently work with my fiddler daughter Alana Cline and we perform Cape Breton, Scottish and Irish traditional tunes from the 1700s onwards as well as modern traditional style material. We also  specialize in performances and workshops comparing different Celtic fiddle musical traditions.

Chuck Mitchell

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Chuck is a hubert humphrey democrat sensitive new age guy. He started singing in Detroit folk clubs and saloons back in the 1960’s. In Toronto, on his first out of town gig, he met a bony blonde Canadian songwriter named Joni Anderson. They married, and as a duo Chuck and Joni Mitchell played the coffeehouse circuit and gin rummy until she was 48,760 points and 50 home made songs ahead, and then they divorced.

In 2018, Chuck’s fellow FARM (Folk Alliance Regional Midwest) folk gave him the Lantern Bearer Award for “significant contribution to folk music in the Midwest”.  He couldn’t have been more grateful, telling his fellow farmers that after fifty-some years glowing next to a floodlight, it was really nice to be recognized.

In his one man show, Mitchell plays 6 and 12 string guitar and sings cabaret songs, animal songs, story songs, and Mitchell songs. He weaves poetry by Sandburg-Frost-Brecht-Hopkins and others into his shows. He has appeared on the Merv Griffin show (once) and A Prairie Home Companion’ (thrice).

His acting credits include ‘The World of Carl Sandburg’ (in the USA and the UK), Harold Hill in ‘The Music Man’, Woody in ‘Woody Guthrie’s American Song’, and Stephen Foster in ‘Mr. Foster & Mr. Twain’.  Ask Siri and Alexa and the other streamers to play Chuck’s music. On YouTube, enter “Chuck Mitchell Sings”. 

Hey, you say, is Chuck a Renaissance Man? Well, he’s old enough.