Zacharie Bachand is a pedal steel player and guitarist based out of Montréal, Québec. His musical voice lives near the intersection of experimental and folk music, and is rooted in his professional training as a jazz musician and improviser. He has had the pleasure of accompanying artists at some of the most illustrious venues and folk festivals across Canada, forging connections within the folk music industry and deepening his knowledge of folk music traditions. While his unique voice and professional attitude are sought after by many artists, it is with these that he seeks to infuse his own artistic projects. His own work seeks to creatively engage with the worlds of folk and experimental music, using compositional and improvisational practices to inform his artistic output. He is currently focused on writing music for small ensembles centered around the pedal steel.
Composing/Arranging
Kyla Tilley
Kyla Tilley is a Canadian prog-folk singer-songwriter known for her emotionally turbulent live performances, her gymnastic guitar playing, and her fabulous shoe collection.
Using whatever words she likes, Kyla constructs tales true and tall of fantastic exploits, mundane tasks, and moderate misadventure which she delivers with a mix of vocal fusillades, chaotic finger-picking, and kaleidoscopic rhythms.
Twelve such songs can be found on Kyla’s sophomore album Bloom & Grow. A mercurial collection of songs about personal growth, self-acceptance, and the obstacles that get in the way of an individual’s desire to leave something of themselves for the ages.
Kyla lives in a small town in Newfoundland and Labrador where you will find her strolling on the beach, hiking in the woods, and broadcasting glimpses into her songwriting sessions live on Twitch, where her stalwart followers are encouraged to heckle, cheer, and distract, as Kyla wrestles words, cajoles melodies, and hammers out guitar parts.
Kyla’s endeavours over the years have ranged from country to metal with many digressions in-between. She appeared in the documentary “Water Street” with country/folk band Bareback; performed at the Sound Symposium with experimental music group Sound Circus; had a song recorded by Canadian Idol finalist Jenny Gear; played art galleries and events as a solo classical guitarist and with the bass and guitar duo Cat’s Paw; performed with violinist Ed Hudson in folk duo Tea & Bread, which melded Kyla’s original material with Ed’s love of British folk song. She’s composed cat-walk music and provided guitar solos for comedian and fashion diva Cara Winsor-Hehir, and is one half of progressive death metal duo Molt. As Mistress Pandemonium, she was the riff-generating half of Newfoundland heavy metal band Endearing Perversion. She spent a decade singing a mixture of folk and classical music in Montreal’s La Chorale Harmonia community choir including 2 stints on the board.
Kyla Tilley singer-songwriter began releasing music in 2018 with Whimseys, a 5 song EP of some of her more whimsical numbers performed simply with guitar and voice, and Loose Summer, a mostly instrumental composition for a fashion show featuring 5 short episodes of airy guitar, flute, bottles and found percussion. These were followed in the summer of 2019 with New Shoes, Kyla’s first full length album, then Vagarys in 2020, another 5 song EP of odder fare, this time with bass and drums thrown into the mix.
Joel Simpson
Joel Simpson has been a self-employed musician since 2001. Growing up in a musical family, Joel started playing guitar as well as singing/songwriting at a young age. His passion for music led him to earn a music business degree from Elmhurst University, and found Randomosity Records in Downers Grove, Illinois. He splits his time between private instruction, music production, and music performance. Joel is proficient on voice and many string instruments. His production work focuses on folk and jazz. Joel has recorded with Lee Murdock, Ashley & Simpson, The Chancey Brothers and many more.
Saskia Tomkins
Saskia Tomkins (she/her) is a master musician of violin, viola, cello and Nyckelharpa, an educator, and a composer. UK born, she is classically trained with a folk background and a B.A.hons. in Music (Jazz). She is an All-Britain Champion Irish Fiddler, and in 2022 received an award for services to Irish Music in Canada. Saskia was the official Artist in Residence in 2022 with Folk Alliance International, and is currently Artist in Residence with British-based
organization The Mixed Museum, which works to preserve and share the social history of racial mixing in Britain of Black and ethnic minorities for future generations.
Over the years, Saskia has worked with many musicians, including: The Chieftains, Sultans of String, Jabbour, Uriah Heep, Ken Whiteley, Jimmy Bowskill, Ron Korb, David Newland, Donald Quan, Lotus Wight, her husband Steáfán Hannigan and son Oisín Hannigan, and numerous other musicians, actors and dancers.
Saskia’s current personal projects include Steáfán & Saskia, Medusa, 2ish, and Marsala and the Imports. She frequently performs and tours with the JUNO-award-winning band Sultans of String. Saskia is principal 2nd violin for Quinte Symphony, and is in demand as an educator, including at El Sistema Peterborough, Jenny Whiteley’s Old Time Camp, Lakefield Music Camp, and Goderich Celtic College
She loves to do session work, collaborate with others, be on the road, and share her skills at workshops. Currently working on the P2 thing to be able to tour in the USA.
Sharon Abreu
Sharon Abreu (“Ah-BRAY’oo”)
Sharon Abreu is a singer, songwriter, instrumentalist, teacher, and student of life. She was singing harmony with her family around the dinner table by the age of 3. Sharon grew up with many musical influences, from classical and opera to Broadway to folk, pop and rock, and she enjoys mixing those up in her concerts. She performs as a solo artist and also as half of the acoustic Irthlingz Duo with her partner Michael Hurwicz. She has performed at venues as diverse as the Northwest Folklife Festival, the Orcas Island Chamber Music Festival, and the United Nations.
Sharon was studying classical singing in New York City when she attended a pumpkin festival in the West Village and ended up joining the sponsoring organization, Hudson River Sloop Clearwater. Through her work with Clearwater, she started using her voice and songs for environmental education and ended up singing in concert with legendary folksinger Pete Seeger.
Sharon has sung lead roles in operas including The Marriage of Figaro, Don Giovanni and The Magic Flute. She’s been a soloist in performances of major choral works including Bach’s Magnificat and B Minor Mass and Mozart’s Requiem and Vespers. Sharon starred in a sold-out run of the musical The Taffetas at the Orcas Center and in summer stock at the Ferry Terminal in Bellingham, Washington. Sharon has provided music for major international Earth summits at the United Nations in New York and the World Summit on Sustainable Development in South Africa. And she was honored to sing for Nobel Peace Prize winner Wangari Maathai in Berkeley, California in 2006.
In 2007, she prepared New York City high school students to perform her climate change musical revue Penguins on Thin Ice for the U.N. Commission on Sustainable Development, receiving a standing ovation from a full auditorium of international delegates.
In 2016, Sharon performed her one-woman musical show The Climate Monologues in the Los Angeles Women’s Theatre Festival, the United Solo Theatre Festival in New York, and for The MarshStream Theatre Festival online in 2021. She received the “Spirit of Nature, Ecology & Society” Environmental Justice Award for her performance of The Climate Monologues, at the Culture of Climate Change Colloquium at the City University of New York in 2011. Sharon composed and recorded the songs for Zero Waste Washington’s public school education program.
Sharon teaches voice, violin and piano, and she has been the vocal coach for musicals including Billy Elliot and Mamma Mia. For 2-1/2 years, she was a Musician-in-Residence with the Orcas Island Chamber Music Festival, bringing music and singing to local preschools. She is featured in Professor Mark Pedelty’s books, Ecomusicology (2012) and A Song to Save the Salish Sea: Environmentalist Musicians in the Pacific Northwest (2016).
Sharon has been a member of the Local 1000 North American Traveling Musicians Union, American Federation of Musicians, AFL-CIO since 1997.
SIRLATOUR
Born and raised in Oklahoma, I started learning guitar at age 12, and teaching and performing at age 16. The guitar has been a wonderful journey throughout my entire life, and I hope that it will never end.
Windborne
“A quartet the likes of which I haven’t seen since… Coope, Boyes and Simpson, the Watersons, or The Voice Squad. Just absolutely phenomenal!” -BBC Traveling Folk
Windborne combines bold and innovative harmonies, styles from a variety of cultures with traditions of harmony singing, and a vocal blend that comes from longtime friendship and years of singing together. They also carry on the alliance of folk music and social activism, breathing new life into songs of change from the past that still ring true in modern times.
“The best musical discovery of the year…Stunningly powerful vocal harmony… Windborne sets a new bar for folk harmony singing today” -Brian O’Donovan, WGBH-NPR
Hear Windborne in action:
Song of the Lower Classes – a protest song from the Chartists in England in the 1840s, a grassroots movement for voting rights
Stabat Mater (Corsica) live in Mont-Saint-Michel – a traditional setting of the Stabat Mater text from southern Corsica. A clip of this video went viral on TikTok in 2021, getting over 2 million views!
The Song of Hard Times – Windborne’s arrangement and expansion of a song from the 1930s, found in the archives at the Library of Congress
Instagram / TikTok: @WindborneSingers
MORE ABOUT WINDBORNE:
Internationally acclaimed vocal ensemble Windborne is a group of vocal chameleons who specialize in close harmony singing, shifting effortlessly between drastically different styles of traditional music within the same concert. Their musical knowledge spans many cultures, but they remain deeply rooted in American folk singing traditions – a typical concert program includes music ranging from American labor anthems and English ballads to ancient Corsican polyphony and traditional Quebecois tunes.
Hailed as “the most exciting vocal group in a generation,” Lynn Mahoney Rowan, Will Thomas Rowan, Lauren Breunig, and Jeremy Carter-Gordon share a vibrant energy onstage – their connection to each other and to the music clearly evident. They educate as they entertain, telling stories about the music and explaining the characteristics and stylistic elements of the traditions in which they sing.
But there’s another, crucial dimension to Windborne. They are adherents to folk music’s longtime association with social activism, in particular its ties to the labor and civil rights movements and others that champion the poor, the working class, and the disenfranchised. Breathing new life into old songs, they seek out music from movements over the past 400 years and sing them for the struggles of today’s world. They believe deeply in the power of music to change hearts.
In addition to performing in New England and around the world, Windborne has taught workshops in schools, community centers, singing camps, and universities. Seasoned teachers and song-leaders, they delight groups young and old with enthusiastic, clear, and nuanced instruction for musicians of all levels of experience. Singers not only learn the notes of a song, but also work on the varied vocal styles, language pronunciation, and gain an understanding of the song in its original cultural context.
In 2014, Windborne was one of 10 groups selected by American Music Abroad and the US Department of State to tour as cultural ambassadors through music. They traveled to Turkmenistan, Kyrgyzstan, and Angola, touring with internationally known artists, performing at sold-out national theaters, and collaborating with traditional musicians in each country. They also taught music and dance workshops to schoolchildren, English-language learners, dance schools, choirs, and music conservatories.
Ash Devine
The award-winning and versatile Appalachian-indie-folk-country-fusion singer-songwriter, performance artist, and multi-generational arts program designer Ash Devine is based the Blue Ridge Mountains of Blacksburg, VA and Asheville, North Carolina. Devine, who is considered by some as one of the last ‘folk troubadours’ is also known for her unique finger-style ukulele and guitar sound, and for her participation in humanitarian efforts through music, education, and the arts.
In addition to producing several albums of original music, Ash has performed and studied along side Nobel peace prize nominee Patch Adams M.D., Heritage award winning ballad singer Sheila Kay Adams, Grammy award nominee and folklorist David Holt, and a number of other renowned folklorists and internationally acclaimed musicians. Her versatile Appalachian folk revival-fusion sound is bursting with stylistic variety, relatable story, and historical facts. Her music is influenced in style by Traditional Appalachian, Joan Baez, Joni Mitchell, Jean Richie, Pete Seeger, Woody Guthrie, Maybelle Carter, Leslie Riddle, Ani Difranco, Kate Wolfe, Bob Dylan, and reggae/world music influences such as the Wailers, Jimmy Cliff, and west African traditional music.
In 2015 Ash Devine starred as the legendary Maybelle Carter and musically directed the play Esley: The Life and Music of Leslie Riddle. From 2016-2019 Ash Devine studied Appalachian traditional folk songs from the Western, NC area with Smithsonian Folkways Award winning ballad singer Sheila Kay Adams. In 2018, Devine was invited to perform with a group of WNC Appalachian song carriers at the Library of Congress at the American Folk Life Center in Washington, DC. Ash is award winning, in 2013 her original music was selected for 1st place at the Twin Rivers Media Festival in Asheville, NC, in 2008 she won 1st place for Brown Bag Songwriter’s Competition in Asheville, NC, and in 2001 Devine was awarded best composition for an original song at Roanoke, VA’s downtown Music Lab.
Devine performs all original concerts, blended traditional/contemporary/original variety style concerts, a one woman show about the legendary Carter Family and the influences and origins of the music they played, and Devine performs personalized therapeutic and formal concerts for the care setting.
Erin McKeown
Erin McKeown is a musician, writer, and producer known internationally for her prolific disregard of stylistic boundaries. Her brash and clever electric guitar playing is something to see. Her singing voice is truly unique —clear, cool, and collected. Over the last 20 years, she has performed around the world, released 11 full length albums, and written for film, television, and theater, all the while refining her distinctive and challenging mix of American musical forms.
Her first musical, Miss You Like Hell, written with Pulitzer Prize-winning playwright Quiara Alegría Hudes, opened Off-Broadway at The Public Theater in 2018. It was nominated for 5 Drama Desk Awards, including Best Lyrics, Best Music and Best Orchestrations, and The Wall Street Journal named it Best Musical of 2018.
Leading her own band, she has performed at Bonnaroo, Glastonbury, and the Newport Folk Festivals. A familiar presence on NPR and the BBC, McKeown’s songs have also appeared in numerous commercials and television shows.
While a student at Brown University, Erin was a resident artist at Providence, RI’s revolutionary community arts organization AS220. A 2011-2012 fellow at Harvard’s Berkman Klein Center For Internet & Society, she is also the recipient of a 2016 writing fellowship from The Studios of Key West and a 2018 residency at the Virginia Center for the Creative Arts. McKeown is currently a 2020-21 Professor of the Practice at Brown University.
Her latest album KISS OFF KISS is out now.
Richard May
Drums, Bass, Guitar, Vocal, basic Piano-Keys (if zero on-the-fly sight reading is needed). Great for last minute work, best if reference recording available. Can be music director to assemble backing group for performance, film, tv, or recording. Can consult for tv, film, to ensure actors can credibly portray musicians. Willing to travel if travel cost covered from Seattle, WA.
Robb Johannes
Robb Johannes (he/him/his) is currently currently channeling his 4-octave countertenor voice, composition, songwriting, multi-instrumental (guitar, bass, keyboards, lap steel, percussion), and multi-media (filmmaking, visual art, graphic design) skills into the newly-formed ensemble, a question of when (www.aquestionofwhen.com). Tagged as an “anonymous multi-media artistic collaboration between members of previously-established acts,” a question of when’s debut LP and accompanying visual immersions, when it happens to you, a cinematic and ambitious exploration of the five stages of grief, are available now on vinyl, CD, cassette, digital HD, and Dolby Atmos 7.1.4 surround sound (with funding support from the Ontario Arts Council).
Prior to a question of when, Robb fronted the Toronto/Vancouver rock band Paint (www.paintband.com) for over ten years. Over the course of four albums, two feature films, and over 300 performances from Pacific to Atlantic, Paint came to be referred to as “Picture perfect” (102.1 The Edge), “Best live act in the city” (Musica Mas), “One of the top acts of the year” (The Toronto Star), and “Intelligent people making incredible music” (The Examiner), bedazzling audiences with their multisensory stage show while delivering insightful social commentary through their music, art, and relationship with its dedicated fanbase; “rockstars with a sincere change-the-world-with-heart attitude… the next U2?” (Midnight Matinee).
While primarily focused on original compositions and contributing to the advancement of the art form (including equity and inclusion for diverse voices) for the past two decades, Robb has also used his voice for creative and ambitious tributes to Jeff Buckley, Chris Cornell, Radiohead, The Beatles, The Doors, The Tragically Hip, and The Who. He has also delivered keynote addresses about his work in the social justice sector, including published works about his experiences with mental health in the arts.
John Coz
John hails from the Bronx, New York. His father Juan Acosta was a percussionist from Cuba who worked as a touring musician with Latin jazz greats such as Tito Puente and Celia Cruz. In California, John began his recording career working as a composer, guitarist, producer and engineer for artists on Warner Brothers, DreamWorks, Geffen, BMG, Elektra and Capitol Records. John was a member of the group Forest for the Tree’s which reached #18 on the Billboard Modern Rock charts, has collaborated with Beck, and landed a top ten hit in the UK working with the artist 1000 Clowns. John’s work as a musician lead to his work with AFM Local 47, advocating for musicians rights. Currently John serves as President of AFM Local 47 and on the AFM International Executive Board.