Colleen is a bilingual songwriter who stirs listeners with her clear voice, collective spirit and rhythmic sensibility. Her music is informed by nature, social and environment movements, and Latin American progressive folk in a genre she likes to call “americaña” (TM) aka “gringa latin”. She’s a twice nominated Sammy nominee and has seven albums and three benefit compilations for antimilitarism and antifracking causes. Her latest release is Besos/Kisses (with one on the way). Her original song honoring the early feminist movement, “Dangerous women’ is now featured in the National Women’s History Museum in Seneca Falls NY. Here is a link for it:
former lead singer with the Boomers now solo. Rock, pop, country, crooner and gospel. Professional sound and lighting system. Travel anywhere in Georgia and surrounding states. 478-319-6927.
Elise Witt’s concerts of Global, Local & Homemade Songs™ and her Impromptu Glorious Chorus™ workshops create and connect singing communities around the globe. Her songs are available for choruses and choirs through the Elise Witt Choral Series and for solo and community singing in All Singing: The Elise Witt Songbook, as well as on 12 CDs.
She currently serves as Director of Music Programs at the Global Village Project, a special purpose middle school for teenage refugee girls in Decatur GA, where she uses singing to help students learn English, share their cultures, gain self confidence, and learn to navigate their new world.
Tom Kastle has been a singer and folk musician for decades, traveling the world, collecting and performing maritime songs and stories, and captaining sailing ships on the Great Lakes. These days, Tom lives in Madison and his passions are even more diverse and include a recording of original songs based mostly on traditional fiddle tunes, film projects like Francisco Torres’ Delight In the Mountain, with Richard Riehle and Tom Wopat, an opera role, and television where he hosted a short documentary that was nominated for an Emmy Award. Add in musical director and composer credits, and recent theatrical roles ranging from musicals to Shakespeare, playing a political pundit with the legendary Ed Asner in God Help Us! and a one man play based on the life of Joe Hill and you have an artist living a vivid life, indeed!
“With his solo recording and original songs, Tom Kastle shows further dimensions to his talent and range of material. His resonant voice, heartfelt lyrics, and solid instrumentation proves he is a more “grounded” talent, as capable as writing about the open road as he is about the open waters.” — Lilli Kuzma: Folk Festival WDCB-FM Radio
“What do you say about a guy who can command a tall ship and all her crew, whose songs can make an Irishman cry tears of pure Tullamore Dew?” — Bryan Bowers
“I heard Tom Kastle sing his song, ‘Whose House? Our House!’…. Timely. Inspiring. A great gathering song sung with power and presence.” — Holly Near
Kyla Tilley is a Canadian prog-folk singer-songwriter known for her emotionally turbulent live performances, her gymnastic guitar playing, and her fabulous shoe collection.
Using whatever words she likes, Kyla constructs tales true and tall of fantastic exploits, mundane tasks, and moderate misadventure which she delivers with a mix of vocal fusillades, chaotic finger-picking, and kaleidoscopic rhythms.
Twelve such songs can be found on Kyla’s sophomore album Bloom & Grow. A mercurial collection of songs about personal growth, self-acceptance, and the obstacles that get in the way of an individual’s desire to leave something of themselves for the ages.
Kyla lives in a small town in Newfoundland and Labrador where you will find her strolling on the beach, hiking in the woods, and broadcasting glimpses into her songwriting sessions live on Twitch, where her stalwart followers are encouraged to heckle, cheer, and distract, as Kyla wrestles words, cajoles melodies, and hammers out guitar parts.
Kyla’s endeavours over the years have ranged from country to metal with many digressions in-between. She appeared in the documentary “Water Street” with country/folk band Bareback; performed at the Sound Symposium with experimental music group Sound Circus; had a song recorded by Canadian Idol finalist Jenny Gear; played art galleries and events as a solo classical guitarist and with the bass and guitar duo Cat’s Paw; performed with violinist Ed Hudson in folk duo Tea & Bread, which melded Kyla’s original material with Ed’s love of British folk song. She’s composed cat-walk music and provided guitar solos for comedian and fashion diva Cara Winsor-Hehir, and is one half of progressive death metal duo Molt. As Mistress Pandemonium, she was the riff-generating half of Newfoundland heavy metal band Endearing Perversion. She spent a decade singing a mixture of folk and classical music in Montreal’s La Chorale Harmonia community choir including 2 stints on the board.
Kyla Tilley singer-songwriter began releasing music in 2018 with Whimseys, a 5 song EP of some of her more whimsical numbers performed simply with guitar and voice, and Loose Summer, a mostly instrumental composition for a fashion show featuring 5 short episodes of airy guitar, flute, bottles and found percussion. These were followed in the summer of 2019 with New Shoes, Kyla’s first full length album, then Vagarys in 2020, another 5 song EP of odder fare, this time with bass and drums thrown into the mix.
“…one of New England’s clearest and most distinctive folk voices, with unusually piercing lyrical insight…” – Hartford Courant
“Folksinger for our times.” – The Boston Herald
“…one of New England’s first and brightest stars.” – The Boston Globe
Folk singer/songwriter Lui Collins has been performing, writing and recording for over 45 years, her early Philo and Green Linnet recordings earning international acclaim and establishing her as a respected voice in the folk world. Lui has shared the stage with such notables as Pete Seeger, Bonnie Raitt, Stan Rogers, Dar Williams, and John Gorka. Renowned guitarist Dave van Ronk called her “one of the best guitarist-arrangers I have heard in years.”
“Lui sings my songs better than I do.” – Canadian folk icon Stan Rogers
From playful 4-string arrangements of some favorite original songs, to the fabulous jazz chords in American standards and Bossa nova, Lui translates her rich and complex guitar arrangements onto her tenor ukulele to create something unexpected and delightful.
Lui is often joined by guitarist/Grammy-nominated producer and longtime collaborator, Anand Nayak, accompanying her in a wide range of styles and languages. Their decade plus of creative collaboration is evident in the fluid musical dialogue of their live performance.
“Lui Collins sings the way people did a great long time ago, before most of us forgot how to breathe.” – Andrew Calhoun, Waterbug Records
“Lui’s got the juju!” – Geoff Bartley, singer-songwriter, guitarist
“Lui has a gentle way of capturing the hearts of her audience and having what amounts to a musical conversation with them during her performances… No one weaves a spell quite like she can.”
– Champlain Valley Folk Festival Newsletter
Joel Simpson has been a self-employed musician since 2001. Growing up in a musical family, Joel started playing guitar as well as singing/songwriting at a young age. His passion for music led him to earn a music business degree from Elmhurst University, and found Randomosity Records in Downers Grove, Illinois. He splits his time between private instruction, music production, and music performance. Joel is proficient on voice and many string instruments. His production work focuses on folk and jazz. Joel has recorded with Lee Murdock, Ashley & Simpson, The Chancey Brothers and many more.
Sharon Abreu (“Ah-BRAY’oo”)
Sharon Abreu is a singer, songwriter, instrumentalist, teacher, and student of life. She was singing harmony with her family around the dinner table by the age of 3. Sharon grew up with many musical influences, from classical and opera to Broadway to folk, pop and rock, and she enjoys mixing those up in her concerts. She performs as a solo artist and also as half of the acoustic Irthlingz Duo with her partner Michael Hurwicz. She has performed at venues as diverse as the Northwest Folklife Festival, the Orcas Island Chamber Music Festival, and the United Nations.
Sharon was studying classical singing in New York City when she attended a pumpkin festival in the West Village and ended up joining the sponsoring organization, Hudson River Sloop Clearwater. Through her work with Clearwater, she started using her voice and songs for environmental education and ended up singing in concert with legendary folksinger Pete Seeger.
Sharon has sung lead roles in operas including The Marriage of Figaro, Don Giovanni and The Magic Flute. She’s been a soloist in performances of major choral works including Bach’s Magnificat and B Minor Mass and Mozart’s Requiem and Vespers. Sharon starred in a sold-out run of the musical The Taffetas at the Orcas Center and in summer stock at the Ferry Terminal in Bellingham, Washington. Sharon has provided music for major international Earth summits at the United Nations in New York and the World Summit on Sustainable Development in South Africa. And she was honored to sing for Nobel Peace Prize winner Wangari Maathai in Berkeley, California in 2006.
In 2007, she prepared New York City high school students to perform her climate change musical revue Penguins on Thin Ice for the U.N. Commission on Sustainable Development, receiving a standing ovation from a full auditorium of international delegates.
In 2016, Sharon performed her one-woman musical show The Climate Monologues in the Los Angeles Women’s Theatre Festival, the United Solo Theatre Festival in New York, and for The MarshStream Theatre Festival online in 2021. She received the “Spirit of Nature, Ecology & Society” Environmental Justice Award for her performance of The Climate Monologues, at the Culture of Climate Change Colloquium at the City University of New York in 2011. Sharon composed and recorded the songs for Zero Waste Washington’s public school education program.
Sharon teaches voice, violin and piano, and she has been the vocal coach for musicals including Billy Elliot and Mamma Mia. For 2-1/2 years, she was a Musician-in-Residence with the Orcas Island Chamber Music Festival, bringing music and singing to local preschools. She is featured in Professor Mark Pedelty’s books, Ecomusicology (2012) and A Song to Save the Salish Sea: Environmentalist Musicians in the Pacific Northwest (2016).
Sharon has been a member of the Local 1000 North American Traveling Musicians Union, American Federation of Musicians, AFL-CIO since 1997.
“A quartet the likes of which I haven’t seen since… Coope, Boyes and Simpson, the Watersons, or The Voice Squad. Just absolutely phenomenal!” -BBC Traveling Folk
Windborne combines bold and innovative harmonies, styles from a variety of cultures with traditions of harmony singing, and a vocal blend that comes from longtime friendship and years of singing together. They also carry on the alliance of folk music and social activism, breathing new life into songs of change from the past that still ring true in modern times.
“The best musical discovery of the year…Stunningly powerful vocal harmony… Windborne sets a new bar for folk harmony singing today” -Brian O’Donovan, WGBH-NPR
Hear Windborne in action:
Song of the Lower Classes – a protest song from the Chartists in England in the 1840s, a grassroots movement for voting rights
Stabat Mater (Corsica) live in Mont-Saint-Michel – a traditional setting of the Stabat Mater text from southern Corsica. A clip of this video went viral on TikTok in 2021, getting over 2 million views!
The Song of Hard Times – Windborne’s arrangement and expansion of a song from the 1930s, found in the archives at the Library of Congress
Instagram / TikTok: @WindborneSingers
MORE ABOUT WINDBORNE:
Internationally acclaimed vocal ensemble Windborne is a group of vocal chameleons who specialize in close harmony singing, shifting effortlessly between drastically different styles of traditional music within the same concert. Their musical knowledge spans many cultures, but they remain deeply rooted in American folk singing traditions – a typical concert program includes music ranging from American labor anthems and English ballads to ancient Corsican polyphony and traditional Quebecois tunes.
Hailed as “the most exciting vocal group in a generation,” Lynn Mahoney Rowan, Will Thomas Rowan, Lauren Breunig, and Jeremy Carter-Gordon share a vibrant energy onstage – their connection to each other and to the music clearly evident. They educate as they entertain, telling stories about the music and explaining the characteristics and stylistic elements of the traditions in which they sing.
But there’s another, crucial dimension to Windborne. They are adherents to folk music’s longtime association with social activism, in particular its ties to the labor and civil rights movements and others that champion the poor, the working class, and the disenfranchised. Breathing new life into old songs, they seek out music from movements over the past 400 years and sing them for the struggles of today’s world. They believe deeply in the power of music to change hearts.
In addition to performing in New England and around the world, Windborne has taught workshops in schools, community centers, singing camps, and universities. Seasoned teachers and song-leaders, they delight groups young and old with enthusiastic, clear, and nuanced instruction for musicians of all levels of experience. Singers not only learn the notes of a song, but also work on the varied vocal styles, language pronunciation, and gain an understanding of the song in its original cultural context.
In 2014, Windborne was one of 10 groups selected by American Music Abroad and the US Department of State to tour as cultural ambassadors through music. They traveled to Turkmenistan, Kyrgyzstan, and Angola, touring with internationally known artists, performing at sold-out national theaters, and collaborating with traditional musicians in each country. They also taught music and dance workshops to schoolchildren, English-language learners, dance schools, choirs, and music conservatories.