Local 1000 AFM

The Traveling Musicians Union

Political Events/Social Causes

Windborne

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“A quartet the likes of which I haven’t seen since… Coope, Boyes and Simpson, the Watersons, or The Voice Squad. Just absolutely phenomenal!” -BBC Traveling Folk

Windborne combines bold and innovative harmonies, styles from a variety of cultures with traditions of harmony singing, and a vocal blend that comes from longtime friendship and years of singing together. They also carry on the alliance of folk music and social activism, breathing new life into songs of change from the past that still ring true in modern times.

“The best musical discovery of the year…Stunningly powerful vocal harmony… Windborne sets a new bar for folk harmony singing today”  -Brian O’Donovan, WGBH-NPR

 

Hear Windborne in action:

Song of the Lower Classes – a protest song from the Chartists in England in the 1840s, a grassroots movement for voting rights

Stabat Mater (Corsica) live in Mont-Saint-Michel – a traditional setting of the Stabat Mater text from southern Corsica. A clip of this video went viral on TikTok in 2021, getting over 2 million views!

The Song of Hard Times  – Windborne’s arrangement and expansion of a song from the 1930s, found in the archives at the Library of Congress

WindborneSingers.com

Facebook.com/WindborneSingers

Instagram / TikTok: @WindborneSingers

YouTube.com/WindborneSingers

 

MORE ABOUT WINDBORNE:

Internationally acclaimed vocal ensemble Windborne is a group of vocal chameleons who specialize in close harmony singing, shifting effortlessly between drastically different styles of traditional music within the same concert. Their musical knowledge spans many cultures, but they remain deeply rooted in American folk singing traditions – a typical concert program includes music ranging from American labor anthems and English ballads to ancient Corsican polyphony and traditional Quebecois tunes.

 

Hailed as “the most exciting vocal group in a generation,” Lynn Mahoney Rowan, Will Thomas Rowan, Lauren Breunig, and Jeremy Carter-Gordon share a vibrant energy onstage – their connection to each other and to the music clearly evident. They educate as they entertain, telling stories about the music and explaining the characteristics and stylistic elements of the traditions in which they sing. 

 

But there’s another, crucial dimension to Windborne. They are adherents to folk music’s longtime association with social activism, in particular its ties to the labor and civil rights movements and others that champion the poor, the working class, and the disenfranchised. Breathing new life into old songs, they seek out music from movements over the past 400 years and sing them for the struggles of today’s world. They believe deeply in the power of music to change hearts.

In addition to performing in New England and around the world, Windborne has taught workshops in schools, community centers, singing camps, and universities. Seasoned teachers and song-leaders, they delight groups young and old with enthusiastic, clear, and nuanced instruction for musicians of all levels of experience. Singers not only learn the notes of a song, but also work on the varied vocal styles, language pronunciation, and gain an understanding of the song in its original cultural context.

In 2014, Windborne was one of 10 groups selected by American Music Abroad and the US Department of State to tour as cultural ambassadors through music. They traveled to Turkmenistan, Kyrgyzstan, and Angola, touring with internationally known artists, performing at sold-out national theaters, and collaborating with traditional musicians in each country. They also taught music and dance workshops to schoolchildren, English-language learners, dance schools, choirs, and music conservatories.

 

Erin McKeown

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Erin McKeown is a musician, writer, and producer known internationally for her prolific disregard of stylistic boundaries. Her brash and clever electric guitar playing is something to see. Her singing voice is truly unique —clear, cool, and collected. Over the last 20 years, she has performed around the world, released 11 full length albums, and written for film, television, and theater, all the while refining her distinctive and challenging mix of American musical forms.

Her first musical, Miss You Like Hell, written with Pulitzer Prize-winning playwright Quiara Alegría Hudes, opened Off-Broadway at The Public Theater in 2018. It was nominated for 5 Drama Desk Awards, including Best Lyrics, Best Music and Best Orchestrations, and The Wall Street Journal named it Best Musical of 2018.

Leading her own band, she has performed at Bonnaroo, Glastonbury, and the Newport Folk Festivals. A familiar presence on NPR and the BBC, McKeown’s songs have also appeared in numerous commercials and television shows.

While a student at Brown University, Erin was a resident artist at Providence, RI’s revolutionary community arts organization AS220. A 2011-2012 fellow at Harvard’s Berkman Klein Center For Internet & Society, she is also the recipient of a 2016 writing fellowship from The Studios of Key West and a 2018 residency at the Virginia Center for the Creative Arts. McKeown is currently a 2020-21 Professor of the Practice at Brown University.

Her latest album KISS OFF KISS is out now.

Robb Johannes

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For over ten years, Robb Johannes fronted the Toronto/Vancouver rock band Paint (www.paintband.com). Over the course of four albums, two feature films, and over 300 performances from Pacific to Atlantic, Paint came to be referred to as “Picture perfect” (102.1 The Edge), “Best live act in the city” (Musica Mas), “One of the top acts of the year” (The Toronto Star), and “Intelligent people making incredible music” (The Examiner), bedazzling audiences with their multisensory stage show while delivering insightful social commentary through their music, art, and relationship with its dedicated fanbase; “rockstars with a sincere change-the-world-with-heart attitude… the next U2?” (Midnight Matinee). Robb is currently expanding the use of his 3 1/2-octave countertenor voice, composition, songwriting, and multi-media skills into a new project that is…. a question of when.

Bonnie Lockhart

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Singer, songwriter performing primarily for children and families. Perform and teach as artist in residence at schools, libraries, community centers and at private parties. Song leading at rallies and other political events, often with Occupella, a crew of singer/songleaders/songwiriters.  Occasionally perform for adults, leftist events, usually unpaid. Play with women’s samba group, Sistah Boom.  I’m 73 years old and semi-retired from paid work at this point.

Liv Cazzola [Tragedy Ann | The Lifers]

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Liv Cazzola is a multi-instrumentalist, vocalist, songwriter, educator, and avid collaborator. Though based in Guelph Ontario, Liv is typically seen performing in Tragedy Ann or The Lifers, in North America and Europe. She sings to seek understanding, question the current, relish in the goodness, and create necessary change. 

Recently, Liv won the Folk Music Ontario Songs From the Heart Award for her Children’s Song Thomas’ Lullaby, was a CFMA award nominee for Emerging Artist of the Year (The Lifers), and has received an OAC Creation grant, OAC touring grant, and FACTOR Recording Grants for upcoming solo & band projects. 
 

Orit Shimoni

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A prolific and highly acclaimed singer-songwriter, Orit spent eleven years living on the road full-time, touring internationally.  She has released eleven albums which have received rave reviews and international radio play.  A multi-genre passionate singer, whose dedication to the craft and ability to connect to diverse audiences have won many hearts over.   Orit’s Jewish and Israeli background informs much of her work, in particular a passion for humanitarianism and peace advocacy.   You can also hear her harmonies on several recordings by other artists.

Dan Schatz

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Traditional and contemporary folksinger, songwriter, multi-instrumentalist and producer

Carolann Solebello

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CAROLANN SOLEBELLO is a performing songwriter born and bred in New York City. Best known to folk audiences as a founding member of Americana trio Red Molly, she now tours both solo and with modern folk quartet No Fuss and Feathers. Carolann’s smooth, compelling voice and warm acoustic guitar style surely nod to rural folk traditions, yet her decidedly urban sense of rhythm and sophisticated vocal phrasing bend those traditional forms into more contemporary shapes. She is a proud member of the Jack Hardy Songwriters’ Exchange and has won numerous songwriting awards. Carolann released her fifth solo album, Shiver, in February 2018.

John O’Connor

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John O’Connor 

In 1983, while living in Seattle, John O’Connor sent a batch of his songs off to Flying Fish Records cold and–almost unheard of in the music business at that time–landed a contract to make an album of his powerful original songs. Songs For Our Times came out in 1984 and was named one of the best albums of the year by the Washington Post and several folk publications and radio stations.

Geoffrey Himes, in his Washington Post review said of John’s songs, “Mister, Slow It Down,” … is the best hitchhiking song since Kris Kristofferson’s “Me and Bobby McGree.” O’Connor’s “Missy and Me” is the best song about old age since John Prine’s “Hello in There.” “A Cold November,” an a cappella ballad about a poor man harassed by a Chicago cop, echoes Woody Guthrie’s hobo songs.

Almost 40 years later, having traveled the country, touring and working as a union organizer, John has gathered a treasure-trove of songs, stories and poems about the working class, war and peace, love and loss. Craig Harris has said, “…O’Connor has shaped his own acute observations of the working class into songs that beg to be sung along to…” Si Kahn calls his songs “wonderful: direct, simple, singable, powerful.” “Songwriting… right out of the same well that slaked Woody Guthrie and Pete Seeger,” commented the St. Paul Pioneer Press Dispatch.

John’s music has always been inseparable from his involvement in working class politics. He began his involvement in the labor movement right out of high school when he went to work in the factories of Waterloo, Iowa. His passion for American folk music led to a career as a folk singer and a cultural educator, performing in concerts, festivals, coffeehouses, schools and colleges, union education programs and political action events.

John recorded three albums with Flying Fish, one of them with the political quartet, ‘Shays Rebellion’, and a CD on the Chroma label. He also recorded a CD produced in conjunction with Collector Records called “We Ain’t Gonna Give It Back”, which is regarded by many as one of the best collections of original songs on the American labor movement. The late Joe Glazer said of John, “He writes the best songs about labor you are likely to hear.” Britain’s Southern Rag has said that “John O’Connor deserves to be numbered with the all-time greats of contemporary folk music.”

In 2017 John released his first CD in more than 20 years. Upon release, Rare Songs was ranked for several weeks in the top 50 albums on the US folk charts. John McCutcheon wrote, “John O’Connor’s wonderful new album, Rare Songs… is a welcome return of one of our best and most humane songwriters.”

Some 50 years after walking through the gates of his first factory job, John is still stalwart in his focus of fighting for the working class and inspiring them with his music and their music. John’s songs have been recorded by numerous singers from around the world. In 2009, the French topical singer, Renaud, adapted and recorded O’Connor’s song of deindustrialization, North by North, which went to number one on the French charts.

Also an accomplished poet, John has seen his poems published in dozens of literary magazines. He has won the Associated Writer’s Program’s Prague Prize and has been nominated twice for a Pushcart Prize. His book of poems, Half the Truth, won the Violet Reed Haas Poetry Award in 2015.