Elise Witt’s concerts of Global, Local & Homemade Songs™ and her Impromptu Glorious Chorus™ workshops create and connect singing communities around the globe. Her songs are available for choruses and choirs through the Elise Witt Choral Series and for solo and community singing in All Singing: The Elise Witt Songbook, as well as on 12 CDs.
She currently serves as Director of Music Programs at the Global Village Project, a special purpose middle school for teenage refugee girls in Decatur GA, where she uses singing to help students learn English, share their cultures, gain self confidence, and learn to navigate their new world.
Social Justice/Labor
Folksinger Austin Nash
your thoughts are prayers
all of them
your actions are worship
all of them
“gravel in my boot ain’t nuthin’ “
Tom Kastle
Tom Kastle has been a singer and folk musician for decades, traveling the world, collecting and performing maritime songs and stories, and captaining sailing ships on the Great Lakes. These days, Tom lives in Madison and his passions are even more diverse and include a recording of original songs based mostly on traditional fiddle tunes, film projects like Francisco Torres’ Delight In the Mountain, with Richard Riehle and Tom Wopat, an opera role, and television where he hosted a short documentary that was nominated for an Emmy Award. Add in musical director and composer credits, and recent theatrical roles ranging from musicals to Shakespeare, playing a political pundit with the legendary Ed Asner in God Help Us! and a one man play based on the life of Joe Hill and you have an artist living a vivid life, indeed!
“With his solo recording and original songs, Tom Kastle shows further dimensions to his talent and range of material. His resonant voice, heartfelt lyrics, and solid instrumentation proves he is a more “grounded” talent, as capable as writing about the open road as he is about the open waters.” — Lilli Kuzma: Folk Festival WDCB-FM Radio
“What do you say about a guy who can command a tall ship and all her crew, whose songs can make an Irishman cry tears of pure Tullamore Dew?” — Bryan Bowers
“I heard Tom Kastle sing his song, ‘Whose House? Our House!’…. Timely. Inspiring. A great gathering song sung with power and presence.” — Holly Near
Annie Patterson
One of America’s premiere song leaders and co-creator of the songbooks Rise Up Singing and Rise Again, Annie is also an accomplished performer and jazz vocalist. She carries with her a suitcase of incredible song knowledge and a repertoire that includes over 2400 songs from many genres, including Americana, contemporary folk, ballads, gospel, country and jazz. Annie is a master song interpreter, accompanying herself on guitar and banjo. She loves to collaborate with other artists. Her folk recording, Mountain Side, features Annie’s stunning vocals along with haunting harmonies by the talented voices of Tracy Grammer, Katryna and Nerissa Nields and Mary Witt of the O-Tones.
Annie sings in the swing band Girls From Mars, the acoustic trio Dear Ella, and the Joni Mitchell tribute band Big Yellow Taxi. She has also toured with well loved folk musicians and union buddies Charlie King, Emma’s Revolution, and Magpie, to name a few. She is an accomplished side musician as well as solo performer, knows her way around sound (including running hybrid concerts) and has been involved in many studio projects for other musicians, as well as having several records of her own.
“It isn’t enough that Annie Patterson co-edited two of the most popular songbooks in history (Rise Up Singing and Rise Again). She is also a compelling performer with a passion for singing songs of hope, love and justice. She can sing jazz standards or songs from the folk repertoire, with enthusiasm that can make the meekest singer join in on the chorus. Her musicianship, dynamic presence and commitment to making the world better through song ring out with every note she sings.” – Sally Rogers
“Her stage presence is infectious; she could get a roomful of store mannequins to break out in song.” – Peter Berryman
Pamela Mae Johnson
Gary Green
Windborne
“A quartet the likes of which I haven’t seen since… Coope, Boyes and Simpson, the Watersons, or The Voice Squad. Just absolutely phenomenal!” -BBC Traveling Folk
Windborne combines bold and innovative harmonies, styles from a variety of cultures with traditions of harmony singing, and a vocal blend that comes from longtime friendship and years of singing together. They also carry on the alliance of folk music and social activism, breathing new life into songs of change from the past that still ring true in modern times.
“The best musical discovery of the year…Stunningly powerful vocal harmony… Windborne sets a new bar for folk harmony singing today” -Brian O’Donovan, WGBH-NPR
Hear Windborne in action:
Song of the Lower Classes – a protest song from the Chartists in England in the 1840s, a grassroots movement for voting rights
Stabat Mater (Corsica) live in Mont-Saint-Michel – a traditional setting of the Stabat Mater text from southern Corsica. A clip of this video went viral on TikTok in 2021, getting over 2 million views!
The Song of Hard Times – Windborne’s arrangement and expansion of a song from the 1930s, found in the archives at the Library of Congress
Instagram / TikTok: @WindborneSingers
MORE ABOUT WINDBORNE:
Internationally acclaimed vocal ensemble Windborne is a group of vocal chameleons who specialize in close harmony singing, shifting effortlessly between drastically different styles of traditional music within the same concert. Their musical knowledge spans many cultures, but they remain deeply rooted in American folk singing traditions – a typical concert program includes music ranging from American labor anthems and English ballads to ancient Corsican polyphony and traditional Quebecois tunes.
Hailed as “the most exciting vocal group in a generation,” Lynn Mahoney Rowan, Will Thomas Rowan, Lauren Breunig, and Jeremy Carter-Gordon share a vibrant energy onstage – their connection to each other and to the music clearly evident. They educate as they entertain, telling stories about the music and explaining the characteristics and stylistic elements of the traditions in which they sing.
But there’s another, crucial dimension to Windborne. They are adherents to folk music’s longtime association with social activism, in particular its ties to the labor and civil rights movements and others that champion the poor, the working class, and the disenfranchised. Breathing new life into old songs, they seek out music from movements over the past 400 years and sing them for the struggles of today’s world. They believe deeply in the power of music to change hearts.
In addition to performing in New England and around the world, Windborne has taught workshops in schools, community centers, singing camps, and universities. Seasoned teachers and song-leaders, they delight groups young and old with enthusiastic, clear, and nuanced instruction for musicians of all levels of experience. Singers not only learn the notes of a song, but also work on the varied vocal styles, language pronunciation, and gain an understanding of the song in its original cultural context.
In 2014, Windborne was one of 10 groups selected by American Music Abroad and the US Department of State to tour as cultural ambassadors through music. They traveled to Turkmenistan, Kyrgyzstan, and Angola, touring with internationally known artists, performing at sold-out national theaters, and collaborating with traditional musicians in each country. They also taught music and dance workshops to schoolchildren, English-language learners, dance schools, choirs, and music conservatories.
Ash Devine
The award-winning and versatile Appalachian-indie-folk-country-fusion singer-songwriter, performance artist, and multi-generational arts program designer Ash Devine is based the Blue Ridge Mountains of Blacksburg, VA and Asheville, North Carolina. Devine, who is considered by some as one of the last ‘folk troubadours’ is also known for her unique finger-style ukulele and guitar sound, and for her participation in humanitarian efforts through music, education, and the arts.
In addition to producing several albums of original music, Ash has performed and studied along side Nobel peace prize nominee Patch Adams M.D., Heritage award winning ballad singer Sheila Kay Adams, Grammy award nominee and folklorist David Holt, and a number of other renowned folklorists and internationally acclaimed musicians. Her versatile Appalachian folk revival-fusion sound is bursting with stylistic variety, relatable story, and historical facts. Her music is influenced in style by Traditional Appalachian, Joan Baez, Joni Mitchell, Jean Richie, Pete Seeger, Woody Guthrie, Maybelle Carter, Leslie Riddle, Ani Difranco, Kate Wolfe, Bob Dylan, and reggae/world music influences such as the Wailers, Jimmy Cliff, and west African traditional music.
In 2015 Ash Devine starred as the legendary Maybelle Carter and musically directed the play Esley: The Life and Music of Leslie Riddle. From 2016-2019 Ash Devine studied Appalachian traditional folk songs from the Western, NC area with Smithsonian Folkways Award winning ballad singer Sheila Kay Adams. In 2018, Devine was invited to perform with a group of WNC Appalachian song carriers at the Library of Congress at the American Folk Life Center in Washington, DC. Ash is award winning, in 2013 her original music was selected for 1st place at the Twin Rivers Media Festival in Asheville, NC, in 2008 she won 1st place for Brown Bag Songwriter’s Competition in Asheville, NC, and in 2001 Devine was awarded best composition for an original song at Roanoke, VA’s downtown Music Lab.
Devine performs all original concerts, blended traditional/contemporary/original variety style concerts, a one woman show about the legendary Carter Family and the influences and origins of the music they played, and Devine performs personalized therapeutic and formal concerts for the care setting.
Erin McKeown
Erin McKeown is a musician, writer, and producer known internationally for her prolific disregard of stylistic boundaries. Her brash and clever electric guitar playing is something to see. Her singing voice is truly unique —clear, cool, and collected. Over the last 20 years, she has performed around the world, released 11 full length albums, and written for film, television, and theater, all the while refining her distinctive and challenging mix of American musical forms.
Her first musical, Miss You Like Hell, written with Pulitzer Prize-winning playwright Quiara Alegría Hudes, opened Off-Broadway at The Public Theater in 2018. It was nominated for 5 Drama Desk Awards, including Best Lyrics, Best Music and Best Orchestrations, and The Wall Street Journal named it Best Musical of 2018.
Leading her own band, she has performed at Bonnaroo, Glastonbury, and the Newport Folk Festivals. A familiar presence on NPR and the BBC, McKeown’s songs have also appeared in numerous commercials and television shows.
While a student at Brown University, Erin was a resident artist at Providence, RI’s revolutionary community arts organization AS220. A 2011-2012 fellow at Harvard’s Berkman Klein Center For Internet & Society, she is also the recipient of a 2016 writing fellowship from The Studios of Key West and a 2018 residency at the Virginia Center for the Creative Arts. McKeown is currently a 2020-21 Professor of the Practice at Brown University.
Her latest album KISS OFF KISS is out now.
Robb Johannes
Robb Johannes (he/him/his) is currently currently channeling his 4-octave countertenor voice, composition, songwriting, multi-instrumental (guitar, bass, keyboards, lap steel, percussion), and multi-media (filmmaking, visual art, graphic design) skills into the newly-formed ensemble, a question of when (www.aquestionofwhen.com). Tagged as an “anonymous multi-media artistic collaboration between members of previously-established acts,” a question of when is in the process of producing its debut LP and accompanying visual immersions with funding support from the Ontario Arts Council.
Prior to a question of when, Robb fronted the Toronto/Vancouver rock band Paint (www.paintband.com) for over ten years. Over the course of four albums, two feature films, and over 300 performances from Pacific to Atlantic, Paint came to be referred to as “Picture perfect” (102.1 The Edge), “Best live act in the city” (Musica Mas), “One of the top acts of the year” (The Toronto Star), and “Intelligent people making incredible music” (The Examiner), bedazzling audiences with their multisensory stage show while delivering insightful social commentary through their music, art, and relationship with its dedicated fanbase; “rockstars with a sincere change-the-world-with-heart attitude… the next U2?” (Midnight Matinee).
While primarily focused on original compositions and contributing to the advancement of the art form for the past two decades, Robb has also used his voice for creative and ambitious tributes to Jeff Buckley, Chris Cornell, Radiohead, The Beatles, The Doors, The Tragically Hip, and The Who. He has also delivered keynote addresses about his work in the social justice sector, including published works about his experiences with mental health in the arts.
John Coz
John hails from the Bronx, New York. His father Juan Acosta was a percussionist from Cuba who worked as a touring musician with Latin jazz greats such as Tito Puente and Celia Cruz. In California, John began his recording career working as a composer, guitarist, producer and engineer for artists on Warner Brothers, DreamWorks, Geffen, BMG, Elektra and Capitol Records. John was a member of the group Forest for the Tree’s which reached #18 on the Billboard Modern Rock charts, has collaborated with Beck, and landed a top ten hit in the UK working with the artist 1000 Clowns. John’s work as a musician lead to his work with AFM Local 47, advocating for musicians rights. Currently John serves as President of AFM Local 47 and on the AFM International Executive Board.
Bonnie Lockhart
Singer, songwriter performing primarily for children and families. Perform and teach as artist in residence at schools, libraries, community centers and at private parties. Song leading at rallies and other political events, often with Occupella, a crew of singer/songleaders/songwiriters. Occasionally perform for adults, leftist events, usually unpaid. Play with women’s samba group, Sistah Boom. I’m 73 years old and semi-retired from paid work at this point.