Born and raised in Oklahoma, I started learning guitar at age 12, and teaching and performing at age 16. The guitar has been a wonderful journey throughout my entire life, and I hope that it will never end.
Erin McKeown is a musician, writer, and producer known internationally for her prolific disregard of stylistic boundaries. Her brash and clever electric guitar playing is something to see. Her singing voice is truly unique —clear, cool, and collected. Over the last 20 years, she has performed around the world, released 11 full length albums, and written for film, television, and theater, all the while refining her distinctive and challenging mix of American musical forms.
Her first musical, Miss You Like Hell, written with Pulitzer Prize-winning playwright Quiara Alegría Hudes, opened Off-Broadway at The Public Theater in 2018. It was nominated for 5 Drama Desk Awards, including Best Lyrics, Best Music and Best Orchestrations, and The Wall Street Journal named it Best Musical of 2018.
Leading her own band, she has performed at Bonnaroo, Glastonbury, and the Newport Folk Festivals. A familiar presence on NPR and the BBC, McKeown’s songs have also appeared in numerous commercials and television shows.
While a student at Brown University, Erin was a resident artist at Providence, RI’s revolutionary community arts organization AS220. A 2011-2012 fellow at Harvard’s Berkman Klein Center For Internet & Society, she is also the recipient of a 2016 writing fellowship from The Studios of Key West and a 2018 residency at the Virginia Center for the Creative Arts. McKeown is currently a 2020-21 Professor of the Practice at Brown University.
Her latest album KISS OFF KISS is out now.
Drums, Bass, Guitar, Vocal, basic Piano-Keys (if zero on-the-fly sight reading is needed). Great for last minute work, best if reference recording available. Can be music director to assemble backing group for performance, film, tv, or recording. Can consult for tv, film, to ensure actors can credibly portray musicians. Willing to travel if travel cost covered from Seattle, WA.
Robb Johannes (he/him/his) is currently currently channeling his 4-octave countertenor voice, composition, songwriting, multi-instrumental (guitar, bass, keyboards, lap steel, percussion), and multi-media (filmmaking, visual art, graphic design) skills into the newly-formed ensemble, a question of when (www.aquestionofwhen.com). Tagged as an “anonymous multi-media artistic collaboration between members of previously-established acts,” a question of when is in the process of producing its debut LP and accompanying visual immersions with funding support from the Ontario Arts Council.
Prior to a question of when, Robb fronted the Toronto/Vancouver rock band Paint (www.paintband.com) for over ten years. Over the course of four albums, two feature films, and over 300 performances from Pacific to Atlantic, Paint came to be referred to as “Picture perfect” (102.1 The Edge), “Best live act in the city” (Musica Mas), “One of the top acts of the year” (The Toronto Star), and “Intelligent people making incredible music” (The Examiner), bedazzling audiences with their multisensory stage show while delivering insightful social commentary through their music, art, and relationship with its dedicated fanbase; “rockstars with a sincere change-the-world-with-heart attitude… the next U2?” (Midnight Matinee).
While primarily focused on original compositions and contributing to the advancement of the art form for the past two decades, Robb has also used his voice for creative and ambitious tributes to Jeff Buckley, Chris Cornell, Radiohead, The Beatles, The Doors, The Tragically Hip, and The Who. He has also delivered keynote addresses about his work in the social justice sector, including published works about his experiences with mental health in the arts.
John hails from the Bronx, New York. His father Juan Acosta was a percussionist from Cuba who worked as a touring musician with Latin jazz greats such as Tito Puente and Celia Cruz. In California, John began his recording career working as a composer, guitarist, producer and engineer for artists on Warner Brothers, DreamWorks, Geffen, BMG, Elektra and Capitol Records. John was a member of the group Forest for the Tree’s which reached #18 on the Billboard Modern Rock charts, has collaborated with Beck, and landed a top ten hit in the UK working with the artist 1000 Clowns. John’s work as a musician lead to his work with AFM Local 47, advocating for musicians rights. Currently John serves as President of AFM Local 47 and on the AFM International Executive Board.
Kevin Neal (Kevin O’Donnell)
I, Kevin Neal, am a pedal steel guitarist and dobro player currently living in Toronto, Ontario.
I have worked with Sara Bareilles, Katharine McPhee, Bebe Winans, Warren Haynes, Ashanti, and Broadway hits like Hamilton and Waitress. So contact me now and let’s make your music shine!
Hi I’m Danny. I’m a Producer & Mixer based in Brooklyn, New York.
As an award-winning New York City based Producer, Mixer and Recording Engineer I have worked with Sara Bareilles, Katharine McPhee, Bebe Winans, Warren Haynes, Ashanti, and in the jazz world, Chris Potter, Oz Noy. I have worked on Broadway hits like Hamilton and Waitress.
I want to help you make your music shine! I have delivered top quality mixes and remote production to satisfied clients all over the world. Together, we can take your music to the next level. Let’s make something amazing!!
I specialize in Pop, but have also produced a lot of Soul, Rock, RnB and Indie.
I mix/ produce, using a hybrid setup of analog hardware in seamless combination with Pro Tools 2021 Ultimate. I work in my tuned Brooklyn based mix room.
I enjoy every part of the music making process even helping with PR, marketing, distribution and branding. I love being part of the team and doing everything I can to help the artist bring out their unique sound through my dynamic mixes and productions.
My goal is to provide excellent communication and pay close attention to every detail in order to ensure that you get exactly what you want for your music.
I’d love to hear about your project. Click the ‘Contact’ button above to get in touch.
**I am also the leader of the touring family music band “Hot Peas ‘n Butter”.
** I play Saxophone, keys, guitar
Hello. When I was a kid being a songwriter seemed like a cool thing to do. Now, 500 songs later the world has really changed, but there’s a lot about the music that’s still the same.
Trying to write songs that have heart is a worthwhile destination. It’s hard to know when you’re there, or if you’ve ever been there, but I’m still trying.
My latest recording for adults is called “Crazy In The Heart”, released in 2019.
I also write and perform music for children, and my most “recent” children’s album, “I Like To Read” (1997) features my most popular song “The Sit Down, Stand Up, Sit Down, Stand Up, Sit Down, Stand Up, Sit Down Song”.
When a new LP record cost $2.49 I had twenty, then thirty, then fifty albums, and I listened to them from start to finish with headphones, late into the night. I read the lyrics on the album covers, I fell in love with the musicians, and I went wherever the songs would take me, again and again, and even now the music still takes me there. I’m still listening.
Bev Grant is a labor and social activist, feminist, singer-songwriter, photographer and 2017 Joe Hill Award winner from the Labor Heritage Foundation for her work as a cultural worker as well as the 2017 winner of the ASCAP Foundation’s Jay Gorney award for her song We Were There. Former leader of the cutting edge 70s and 80s folk/rock & world music band, Human Condition, Bev is also founder and director of the Brooklyn Women’s Chorus.
Bev grew up singing and playing with her two older sisters in Portland, OR. After moving to New York City in the early 60s, she formed her band The Human Condition, who recorded their first album “Working People Gonna Rise,” with Paredon Records, now distributed by Smithsonian/Folkways. Her song “Inez” is included in the Smithsonian/Folkways “Best of Broadside” collection.
As cultural director of the UALE NE Union Women’s Summer School she developed and wrote the theme song for the multi-media women’s labor history show, called “We Were There!”, which she presents throughout the United States and which became global when she presented it in October 2017 in Costa Rica at the United Trade Union Confederation’s 3rd Women’s Conference.
Ron Olesko, WFDU folk DJ and columnist, featured Bev and her recently released CD “It’s Personal” in the May 20, 2017 issue of SingOut Magazine, saying…
”Over the past few decades, Bev and her songs have been part of many social struggles including the labor movement, so it came as somewhat of a surprise to discover that her new solo CD It’s Personal is an introspective and heart-felt collection of personal songs. However, closer examination reveals that the songs in this collection give an insight into what has motivated and shaped this extraordinary artist. It’s Personal features a diverse mix of folk, jazz and good old rock and roll to gives us a glimpse of the world that is fighting to make a better place for all.”
Full Review: https://singout.org/2017/03/20/bev-grant-gets-personal/
In July 1917, Bev begin scanning images from photo negatives she shot as a radical photo journalist in the late 1960s, including some iconic photos of the early radical Women’s Movement (The Miss America Beauty Pageant protest in 1968, and the W.I.T.C.H. Hex on Wall Street on Halloween in 1968), She’s exhibited at OSMOS Gallery in NYC, and received several favorable reviews in main stream media. In December 2021, OSMOS published a monograph of Bev’s photographs called: Bev Grant Photography: 1968-1972.
“What struck me so profoundly was the fact that Grant prefigured this whole notion of intersectionality.” Grant’s images, Gingeras said, “tell the story of this utopic moment before things got very divisive and polarized. And the echoes of the struggles she documented are still being heard right now.” The New Yorker Photo Booth 9/28/2018 https://www.newyorker.com/culture/photo-booth/a-photographers-life-changing-encounter-with-political-struggle
Music website: www.bevgrant.com
David Borough appears with the band, Radio Rail. Radio Rail has performed at The Elko Cowboy Poetry Gathering, The Songs for the Transcontinental Railroad Concerts, The California State Railroad Museum, The Cold Springs Tavern, and The Old Town Sacramento Gold Rush Days Festival. As well as venues from Cisco’s Creekside in San Luis Obispo, to The Urban Village Farmers Markets in the San Francisco Bay Area…
A fiddle player with the Celtic Rock band, O’Craven, David has appeared at The Northern California Pirate Festival, The Pirates of the Pacific Festival in Brookings Oregon, and the Northern California Renaissance Faire…
David is Singer/Songwriter honored by the South Bay Songwriter’s Association, and the Napa Folk Festival.
David also hosts “The Rising of the Moon” Celtic themed radio program, which airs at 6:00 am Pacific time, on the fourth, and fifth Mondays.
“I’ve Gone Home/Down on Santa Clara Street”, 45 rpm vinyl. (1981)
“Liberacion de Amor” Cassette. (1982)
“Viva Nicaragua Libre/Rollin’ Solidarity Down”. 45 rpm vinyl (1983)”
“BurnsBorough”. Cassette (1988)
“Radio Rail”. Compact disc. (1997)
“The O’Daveys Irish Band, Raw”. Compact disc. (2008)